The Texas-born, L.A.-based singer and songwriter Jess Williamson makes deeply felt songs that orbit around her powerful voice, a voice that's strong and vulnerable, big-room flawless, quietly ecstatic, and next-to-you intimate. In her most recent work, Sorceress, that voice is surrounded by a deep-hued kaleidoscope of dusty '70s cinema, '90s country music, and breezy West Coast psychedelia.
Williamson grew up in the suburbs of Dallas. An only child, she was raised by music-loving parents on a healthy diet of Bonnie Raitt, Van Morrison, and KT Oslin. A lifelong singer and performer, her earliest memories are of putting on concerts for the other kids on the playground at recess.
While attending the University of Texas, Williamson began to find her footing as an artist in the DIY and student run art and music spaces of Austin, Texas. A photojournalism major, she interviewed and photographed bands for the school newspaper and hosted a radio show on KVRX, the student-run radio station. But quietly, she had an insistent pull to pursue music herself. In her last year of school, following an impulse after seeing Austin's Ralph White play the banjo at a house show in her friends' basement, Williamson took up banjo lessons at South Austin Music, and soon after was writing songs and making home recordings. After graduating, she moved to NYC to attend an MFA Photography program at Parsons, but after a couple of semesters, she realized the call to pursue a career in music was too big to ignore, and she dropped out.
She'd started a band in NYC called Rattlesnake with another friend from Texas: Williamson played banjo, her bandmate played electric guitar, and they both sang. They played their first show at the now defunct Brooklyn venue, Death by Audio, in March of 2010. A few months later, drawn by her larger hometown community, she moved back to Austin to focus on her solo project.
For the next couple of years, she was active playing and booking shows in the Austin music scene, and self-released records on her own Brutal Honest imprint: her debut EP, 2011's Medicine Wheel/Death Songs, 2014's Native State, and 2016's Heart Song. Along the way, she began incorporating guitar and piano into her songwriting and live shows.
In 2016, she relocated to Los Angeles, a move that proved to be life changing. Inspired by the new environment and the deep introspection that can come from being alone in a foreign land, she wrote the album Cosmic Wink, which was recorded the following year in Dripping Springs, TX, and became her first release on a record label, Mexican Summer, in 2018.
Her fourth album, Sorceress, also on Mexican Summer, arrives Spring 2020. It was written in Los Angeles, recorded at Gary's Electric in Brooklyn NY and finished at Dandysounds in Dripping Springs, Texas, where she recorded Cosmic Wink. While she's stayed true to her deep-country roots, the music's grown in its ambitions. It's her biggest, most assured collection to date, and a true document of the hard work paying off.